King Charles II first meets Nell Gwyn after seeing her do a turn at Drury Lane. They soon become close, the King preferring her feisty irreverent company to that of the aristocratic French Duchess of Portsmouth. Nell becomes his most loyal subject, while ever-ready to take the Duchess down a peg. But the actress can never hope to be fully accepted by the King's circle despite his constant attentions.

Young Nell loses everything and her father is sent to prison. She joins the Salvation Army and tries to redeem him when he comes out....

Four sixty-something disgraced comedians - who used to work together - find themselves in a retirement home. They'll join forces again, this time to save the place from bankruptcy.

“How do you make sense on an emotional, intellectual, and pragmatic level of the visual residue one leaves behind?” This is a pivotal question for Adam Pendleton’s recent abstract paintings on view here, which involve a process of accumulation in which the surface of the canvas teems with sweeping gestures, language, drips, splatters, and moments of erasure in a reflection of how we evolve in life. Pendleton has explained that these works “verge on the monumental; they can take months to make and capture a deep history of marks and impressions. Minor moments become major moments because of how they articulate who we are or who we might be at any given moment. It’s a visual poetics of disruption.” These paintings, Pendleton has suggested, ask: “how do you leverage, subvert, and deploy your subjectivity? We all are doing it all of the time. It becomes more interesting when we’re aware that we’re doing it.”

阳光明媚，自然风光美不胜收，埃拉（Ella）和内尔（Nell）这两位四十多岁且许久未见的老友有聊不完的话题。基本上，没什么能破坏她们这次徒步露营之旅。然而，当她们抵达位于德国和捷克边境的易北砂岩山脉（Elbe Sandstone Mountains）时，情况似乎不妙……

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